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Original Article

Artistlive: Interactive E-Commerce Platform for Selling Hand- Drawn Paintings with Live Painting Sessions

Vishnu Priya S1 Mohan S2 Kamalesh S3 Jaiprakash M4 Dhanush Maran K5
1 2 3 4 5 Department of Information Technology, Er. Perumal Manimekalai College of Engineering, Hosur, Tamil Nadu, India.

Published Online: March-April 2026

Pages: 395-400

References

1. R. Blythe and A. K. Rao, “Challenges facing independent digital artists in the creator economy,” Journal of Digital Commerce, vol. 14,
no. 2, pp. 45–62, 2023.
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3. L. Nakamura, “Digital creative labor and the gig economy,” New Media & Society, vol. 22, no. 5, pp. 800–818, 2020.
4. M. Graham, I. Hjorth, and V. Lehdonvirta, “Digital labour and development,” Transfer, vol. 23, no. 2, pp. 135–162, 2017.
5. H. Chen and W. Zhao, “WebRTC for real-time collaborative applications: Performance analysis,” IEEE Trans. Multimedia, vol. 20, no.
8, pp. 2138–2151, 2018.
6. L. Peng, T. Liu, and X. Zhang, “Event-driven real-time communication in multi-user web applications using Socket.IO,” ACM SIGWEB
Newsletter, spring 2021.
7. PCI Security Standards Council, “PCI DSS v4.0 Requirements and Testing Procedures,” 2022. [Online]. Available:
https://www.pcisecuritystandards.org
8. ITU-T Recommendation G.114, “One-Way Transmission Time,” International Telecommunication Union, Geneva, 2003.
9. E. Goffman, the Presentation of Self in Everyday Life. New York, NY: Doubleday, 1959. (Applied in creator economy context by
Nakamura [3].)
10. A. Acquisti and H. R. Varian, “Conditioning prices on purchase history,” Marketing Science, vol. 24, no. 3, pp. 367–381, 2005.

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